Given time, our perceptions can easily change - a single vantage point presents multiple readings - a cluster of reeds shift from messy and untamed towards a delicate elegance.

Throughout 2020 Angus Gardner produced a collection of pencil drawings in his sketchbooks that reference a secluded pond situated in a park nearby his home. These almost daily drawings highlight the immediacy and humble nature of the pencil, moving between obviously appropriated forms to gestural and abstracted strokes. For Angus, they are a meditation on our spatial environment, connection to place, and the way in which we navigate pathways, both physical and psychological. Moving out of the sketchbook and into the studio, the colours and forms of these drawings find their way not only into increasingly sophisticated and larger works on paper but into complex woven physical forms crafted from ceramic.

Royal Park Drawings is as much insight into process as it is a resolved object in itself. The publication allows viewers to engage with otherwise unseen works, as well as offering an opportunity for Angus to realise the potential of work that may otherwise be dismissed as preliminary or unresolved. It is the 6th publication to be produced by Stray Pages, featuring a selection of 38 drawings, printed in CMYK dry toner across a 56-page saddle-stitched book on recycled stock with a laser-cut dust cover. Limited edition of 100, signed and numbered plus 5 AP, the first 30 editions come with a double-sided A3 poster, printed CMYK dry toner on 150 GSM recycled stock.

ISBN: 978-0-6452399-0-4

Hannah Maskell: Double Violet Continued

Angus Gardner: Royal Park Drawings

Harry Hay: Full of Malarkey

Lotte Frances: Digital Drawings

Robert O'Connor: Syntagms

Georgia Biggs: Bootlegs

Mary Barton: Sailing In The Arafura Sea

Claire Hicks / Simon Gardam

Tote Bag: Lotte Frances